Tuesday, 23 May 2017

Revision plan


Revision plan

  • Section A practice
Film language concepts e.g. cinematography, camera shots all need to have been looked at again. As well as this, practice needs to be done within timed conditions to simulate the actual exam environment.

  • Media debates
Required for both Section A (in questions 2 and 3) and B to take my answers to the band that they need to be.

  • Statistics/quotes
Particularly in terms of topics like Marxism & Pluralism and the impact of new and digital media, these are needed just to give my answers some backing to rely on.

  • New and digital media stories
I'll need to look over the 75 stories I've done over the year, and pick out a handful of the ones which I believe will be worthy of being mentioned in the exam.


Number of essays: 3

Monday, 22 May 2017

22/05/17 - Up to 70 News Corp Australia photographers made redundant (75)





Up to 70 (staff) photographers from News Corp Australia titles have been informed that their positions have been made redundant. This comes as Rupert Murdoch's Australian papers have adopted an outsourcing model. This new one entails more of a 'hybrid model, consisting of a core team of photographic specialists, complemented by freelance and agency talent.'  Fairfax Media, another Australian media company, has also taken the initiative to cut costs by cutting 125 journalists on both the Sydney Morning Herald and the Age newspapers. News Corp's attempts to cut costs are associated more so with its printed newspapers, which reportedly attract just a fraction of the advertising revenue that they once did. The papers that will be making this change are the Daily Telegraph, the Herald Sun, the Courier-Mail and the Adelaide Advertiser. An example of represent this is how in a state like New South Wales, a total of just 20 photographers will continue to work across all the local newspapers as well as the Daily Telegraph and the Sunday Telegraph while over 25 will be made redundant.
  • News Corp Australia, which posted a second-quarter loss of $287m in February
  • Sources told Guardian Australia that out of 20 photographers at Queensland Newspapers, only five will remain. Thirteen were forced to take redundancy and two took voluntary redundancy

Redundancies in traditional media organisations are just a reality of what's a dying medium today. People trained in areas like photography and just journalism in general are now finding themselves to be put out of their occupations for the simple fact that e-media has taken over. It'll be interesting to see whether or not this leads to a reduction in the quality of news stories over the next few years.

22/05/17 - Gina Miller targets voters with tailored Facebook ads (74)





Pro-Europe campaigner Gina Miller is implementing Facebook's advertising in targeting voters in both Labour and Conservative seats. Her campaign group, Best for Britain, is doing this through sending out different messages to different voters in different seats. This is part of what is considered to be a 'digital ground war' that is being fought by both of the main parties on social media. Information commissioner, Elizabeth Denham, on Wednesday 17th launched an inquiry into the practice warning what if parties sent politically-charged information to people based on their individual data it could possibly be against the law. This isn't necessarily in suggestion that Miller's campaign is doing this, but her campaign does involve different ads being sent to different groups. For example in Darlington where Jenny Chapman is standing to retain her seat, a 50-year-old voter received an ad saying: 'Jeremy Corbyn is not going to be prime minister, so you can vote for your Labour candidate.' In Southampton Itchen, a Brexit-supporter got the message: 'Theresa May is going to win anyway, but it's important to limit her majority.' With just these two examples it's evident how the ads are tapping into the sentiments people have and utilising them from a political standpoint. Denham also followed up saying: 'If political campaigns or third-party companies are able to gather up very precise digital trails to then individually target people, that is an area [where] they are going to be outside the law.' However a spokesman for Best for Britain has responded in saying: 'We are fully aware of, and compliant with, the ICO’s concerns. We do not take anything for granted and want to ensure donors’ generosity is rewarded with the most efficient and effective activities we can undertake. We do not hold any personal information on individuals, unless they have specifically signed up as supporters of the Best for Britain campaign.'
 
The digital ground war has already seen the Conservatives and Labour spending an estimated £140,000 a week on targeting voters directly through their Facebook feeds
Labour and the Conservatives are expected to spend up to £1m each on advertising on social media in the general election

Gina Miller's usage of new and digital media to target advertising is a foresight into what we're more likely than not going to be seeing in terms of political campaigning in the future. People/institutions will implement social media which acts as fundamentally more effective advertising in order to mobilise votes for things like elections and referendums.

Thursday, 18 May 2017

22/05/17 - Spotify now officially has more UK listeners than BBC Radio 1 (73)




With Rajar's release of Quarter 1 radio numbers, BBC Radio 1 posted what is its worst quarterly result in history. This can be seen through its average weekly audience falling by over 2 million people in comparison to what was the case in 2012. What makes these figures even more notable though, are how Spotify according to MBW's sources boast over 9.1 million active users in the UK market. This marks the first time where the Spotify UK audience have surpassed Radio 1. The radio network has been what seems like quite a specific target for Spotify UK, 'poaching' key Radio 1 staff such as ex-Head of Music George Ergatoudis to become Head of Content Programming and Austin Daboh who is currently the Senior Editor, Content Programming. Controller of Radio 1, Ben Cooper, in defence of the performance stated that: 'You can't judge a newspaper solely on physical sales - you have to take into account our digital innovations as well.'

  • The station's average weekly audience fell to just 9.1m in the period - representing around 14% of the total UK population, and down by more than 2m people compared to five years ago
  • Year-on-year, Radio 1's audience dropped by 804,000 compared to the three months to end of March 2016
  • Quarter-on-quarter, Radio 1's Q1 audience fell by 459,000 in the first three months of 2017
  • In Q4 last year, the station's Rajar number stood at 9.56m people - its lowest last-quarter tally since 2003
  • BBC 6 Music posted its biggest ever weekly audience in the period with 2.35m
  • Average UK weekly radio listenership grew slightly in Q1, up to 48.23m people - up by 409k on the equivalent period of 2016

This article displays another platform of traditional media being victim to what is a new and digital media development. Streaming services like Spotify now have the capability of exceeding audience listenerships attained by flagship networks like BBC Radio 1. The occurrence of this is something that perhaps a few years back would have come under heavy doubt for as much of its suggestion.

Monday, 15 May 2017

15/05/17 - Spotify takes a step into social media territory with its latest feature (72)




Spotify have revealed a new method of sharing with others. Going by the name of Spotify Codes, it involves one taking a picture of a code using their smartphone camera to get a playlist onto their device. This as the company puts it, allows for 'quick social sharing' with others, also capable of being saved to one's Camera Roll for more easier access. It has also been put forward that these codes will be 'included' into more real world situations, appearing on things like flyers and posters to provide artists and bands an opportunity to spread their music. The service described this as 'an innovative and exciting new way for artists, labels and brands to instantly engage with fans through Spotify.' This comes after Spotify being regarded as the all-out market leader in terms of the paid streaming/pay-to-stream business.
  • Spotify disclosed in March 2017 that it had hit the 50 million paying subscribers milestone

The decision of Spotify to go ahead with this new initiative is just reflective of the growth that they seek to obtain as a company. With a feature like this, audiences will be able to be referred a lot more easier to songs to stream by people like friends. Not only this, but it's something that producers in terms of musicians themselves will likely find to be of huge benefit in directing people to their music and expanding their fanbase through the utilisation of real life objects e.g. posters.

15/05/17 - Fake news or not, the future belongs to Facebook (71)





The month of April saw Facebook buying out full-page print ads in national dailies providing 10 tips to readers for spotting fake news. On top of this the BBC produced a Panorama episode warning people of the dangers that fake news could have. This comes as other media platforms have increasingly more reason to fear Facebook as an institution. It is essentially eating up the advertising growth of newspaper publications, and helping contribute to the falling viewership on TV. As Trump has risen though, fake news has descended into 'a litany media lousiness' with it being an area of operation that is 'totally unregulated' as said by the head of the Commons culture committee. So say if in 2042, we progress to a place where there's no more print papers, TV becomes the dying medium, the BBC becomes a 'much-diminished force' and social media fully capitalises on what are its current footholds, feeding 'on itself as it grows.' How exactly will regulation be able to be administered? A country like Russia will utilise social media to where its another means of propaganda warfare. A country like Turkey remove media communities in their entirety by legislative methods. Ones like China though have devised their own alternatives which go through the process of careful supervision. Without even mentioning what may be the case with other countries, the lack of remote consistency here between countries is clear. There's not an established consensus to combat against 'the giants,' and this depends completely on the system of government and perspective taken on by each nation. The lack of international law over going over digital expansion helps to intensify this situation. This is all without mention of what will likely be the waning pressures on giants from rival media and international organisations. But there remains the possibility that technology won't be the same at all. Perhaps it'll ascend the boundaries that currently hold it back only to find new ones.

  • Newspapers see Facebook and Google eating what’s left of their future as the digital giants devour 90% of advertising growth

This article speculates what is a quite interesting view on what Facebook could be like in the future. With the situation that has followed it in the past few months, regarding things like fake news and also the 'devouring' of ad revenue, the prediction put forward for the future of Facebook is not unfeasible by any means. The lack of a global consensus for example is an extension of what we see now in terms of how the misinformation is dealt with.

Tuesday, 9 May 2017

Does your case study suggest that new and digital media have had a positive impact by offering audiences a more diverse range of values and ideologies? (48 marks)


Does your case study suggest that new and digital media have had a positive impact by offering audiences a more diverse range of values and ideologies? (48 marks)



New and digital media (NDM) with all its developments in terms of things like user-generated content (UGC) particularly, has had quite a positive impact on audiences. E-media's reference to as the 'the most important medium of the twentieth century' (Briggs and Burke) is testament to this, with there being an estimated 672 billion gigabytes of information in circulation on the internet today. This has undoubtedly given us a diverse range of values and ideologies to embrace, but this could be perceived as as much of a bad thing as a good thing for a number of different reasons.

Blogs and forums are two NDM developments which give us access to a diverse range of values and ideologies. As examples of 'we-media,' they are avenues where audiences themselves are able to actively participate in the production and dissemination of media texts. With blogs for one as online journals/diaries, they can end up actually being more 'detached' and objective in comparison to what we're presented with in mainstream media. This allows those that tend to disagree with the content that they're provided with in the mainstream, a chance to express their dissenting views which is something that's also quite positive from a democracy standpoint. This was demonstrated in 2004 when after Dan Rather, a presenter of the American television programme 60 Minutes on CBS, discussed documents calling into question George W. Bush’s military service record, bloggers worked to speak out against this. An example of one of the blogs used to do this was The Little Green Footballs. With its known right-wing orientation, bloggers on it used the site as a place to present evidence that the documents were forgeries. This resulted not only in an apology from CBS, but more fundamentally an acceptance of blogs as source of both opinions and news by the mainstream media. With this, they help from a surveillance (Blumler and Katz) standpoint since they act as a source of information for audiences whether it be from an alternative viewpoint or not. Forums can be briefly discussed as helping offer this diverse range of values and ideologies with the many-to-many communication that they stipulate. With this it's guaranteed that one will see views that don't necessarily reflect their own, and this helps promote a level of accommodation of different beliefs.

Social networks can also be said to give us this wide range of values and ideologies, but this time through how they've allowed for socially-constructed communities. As stated by Henry Jenkins, social media is an 'arena wherein participatory cultures can be established.' Black Twitter is the best representation of this, where the voicing of perspectives that usually go unheard from get a platform to thrive on, working to challenge some of the negative representations that exist of black people in mass media such as that they're dangerous (Alvarado). Hashtags such as #BlackLivesMatter, #OscarsSoWhite and #ICantBreathe are representative of the conversations that can be brought up because of socially-constructed communities like Black Twitter, with some even reaching the popularity where opinion leaders (two-step) begin to adopt them too e.g. LeBron James. The alternative viewpoint that can be seen perpetuated by communities like this are representative of the positive impact that a diverse range of values and ideologies can have on audiences, as they become more objective to what they're presented with in mass media which is subject to mediation by producers.

Pluralists would align themselves with the points laid out above in that NDM has only had a positive impact by offering audiences a diverse range of values and ideologies. This is all shown by the ever-so popular we-media technologies which have allowed for a 'technological blossoming of the culture of freedom' (Castells, 1996). They encourage increased objectivity from audiences to what they're shown in mainstream media, which is subject to the process of mediation, and this defiance of mainstream is representative of how 'rebellion is encapsulated in the internet' (Keen).

However Marxists would argue that in reality, NDM has actually had a more negative impact by offering audiences a diverse range of beliefs firstly since they can be supported by inaccurate information. NDM's glaring lack of gatekeepers is already a suggestion as the type of information that can be obtained from it. For example on wikias like Wikipedia, false information such as the statement that John Seigenthaler had been involved in the assassination of John F. Kennedy in 1963 and that Tony Blair as a teenager kept posters of Adolf Hitler in his bedroom can be running around. This relates to Andrew Keen in saying that 'web pages and blogs are like a million monkeys typing nonsense.' Twitter in particular is able to exhibit this with the hate groups that can be seen to reside within it. Its structure as a ‘free platform’ has meant that groups like the EDL utilise the platform as a place to communicate hate speech towards particular sections of society. This is all without even mentioning what is the current online phenomenon of 'fake news.' Disseminating on social networks like Facebook, stories such as Pope Francis endorsing Donald Trump and Trump offering free one-way tickets to Africa and Mexico to those wanting to leave the U.S have managed to circulate, with those two stories being among the top hits in terms of fake news stories on the site. With this, NDM can be seen to be more at the detriment of audiences for how it’s helping to spread information of both an undemocratic and untrue nature.

Marxists may also say that with all the developments in NDM, its impact in giving audiences a range of values and ideologies will be limited due to the dominance of news institutions. With how the 'top 5% of all websites accounting for almost 75% of user volume' (Lin & Webster, 2002) it's evident that 'a minority of (media) produces always serve a majority of consumers' (Pareto's Law). Spotify, although not a website, is a service that exemplifies this with its 'Superstar Economy.' In 2013 for example it occurred that the 'top 1% of artists accounted for 77% of recorded music income.' The statistic that ‘most digital services have catalogues of more than 20m tracks are not listened to,’ is something that only proves this further. So even if NDM does provide us with a range of values and ideologies, it's more likely than not the case that audiences won't really embrace them.

On top of this with Spotify in mind, the argument can be put forward that in reality we don't actually receive the range of values and ideologies we think we do and really we're just exposed to the same one. While we do get a sense of a 'runaway world' (Giddens) with the choice of music we have to listen to, the majority of it tends to be solely 'in the interests of profit [...] interchangeable music for a passive childlike and manipulated audience' (Adorno and Horkheimer (1986). This has led to a homogenisation of culture and communication with mainly the US content being at the forefront of this all, lending to the what we see as the cultural imperialism/Americanisation of content. So seeing parallels between both music made in the UK and music made in the US, is something shouldn’t necessarily take one by surprise. With this, it's evident that while we are offered a diverse range of values and ideologies, we're not necessarily embracing different ones and they tend to just be coming from one place [U.S].

In conclusion, NDM can be said to at least offer audiences a diverse range of values and ideologies, but how much of a positive impact it'll have on audiences is limited since it can revolve around misinformation and in reality audiences will end up sticking to the more dominant institutions as a source for this.